
Sooo … we made it to 2024. Now we’ve just got to make it through 2024. In my lifetime I’ve never felt as uneasy about the general presence of the …
Nine from last year (2023)
… of sorts of images and attempted survival (of sorts)
Sooo … we made it to 2024. Now we’ve just got to make it through 2024. In my lifetime I’ve never felt as uneasy about the general presence of the …
Nine from last year (2023)
I feel a need to check in with whoever’s there. Coming across this sketch I did from exactly two years ago, and a thorny late poem by William Carlos Williams really drives home for me this sudden urge to connect with … something.
I tried to have only two things in mind back while I was nervously sketching this while listening to news about protests against common sense Covid-19 protection, namely:
Many of these worries were universal, like Covid-19 (and the ways it was then being dealt with) or Climate Change (and the ways it was then being dealt with) or, say, systemic racism or the continued growth of a Trumpist fascist state (and the ways …)
“A society must assume that it is stable, but the artist must know, and he must let us know, that there is nothing stable under heaven.”
James Baldwin
Other worries were more individualized. For me, the growing disability and ferocious pain that Multiple Sclerosis was doling out had eclipsed itself on every frayed fiber. There were a few times that I looked deep down into myself and swore to remember that “yes, it really was this indescribably agonizing!” so a future me would not forget when/if things ever moved past the present state.
The ways so many things have fallen apart since April 2020 — when I made those sketches — make the worried existence of two years ago seem charmingly naive.
William Carlos Williams wrote a poem in 1961 titled “Poem” where emotionally and spiritually he was also confronting the clash of madnesses of the then not too distant past with the even more terrifying madness that followed through his present; he might as well have written it today.
Poem
William Carlos Williams
The plastic surgeon who has
concerned himself
with the repair of the mole
on my ear could not be
more pointedly
employed
let all men confess it
Gaugin or Van Gogh
were intimates
who fell out finally
and parted going
to the ends of the earth
to be apart, wild men
one of them cut
his ear off with a pair of shears
which made him none the less
a surpassing genius
this happened
yesterday forgive him
he was mad
and who among us has retained
his sanity or balance
in the course the
events have taken since these days
Here’s to looking forward to a day when this poem is not applicable to that day’s then present.
In the meantime, given that the instability of everything is making itself achingly clear, I don’t know that an artist is needed to fill that role right now. Rather, I’ll just keep being aware that my search for something stable under our violent sun is futile and keep on creating images anyway.
Cheers